Spring season kicks off at The O鈥橲haughnessy, Catherine G. Murphy Gallery

An exciting schedule of art exhibitions and performances is in store at St. Kate鈥檚.

Spring is always a lively time on the 亚色影库 campus, in no small part due to the wide-ranging opportunities for experiencing the arts on campus. This spring offers a full slate of shows at  that run the gamut from music and dance to comedy and storytelling. Among the lineup is The Aunties, a storytelling event featuring Indigenous women who lead and influence, including St. Kate鈥檚 alum Anne McKeig 鈥87, JD, Minnesota Supreme Court Justice. 

The Aunties was programmed in alignment with the Integrated Learning Series' recent theme of Indigenous thought leadership,鈥 said Irene Green, executive director of The O鈥橲haughnessy. 鈥淲e are thrilled to have these three Indigenous women on our stage and hope you will join us for this world premiere.鈥 

Across campus at the Catherine G. Murphy Gallery in the Visual Arts Building, two new exhibitions span mediums from watercolor to hand-stitched felt works. Both opened on February 3, and are free and open to the public. 

"The spring semester is always my favorite time of year in the gallery, with its mix of exhibitions by artists from the greater art community and an exhibition by our students,鈥 said Nicole Watson, gallery director. 鈥淢innesota artists Keren Kroul, Nicole Havekost, and Erica Spitzer Rasmussen use their art to consider identity through memory, the body, and garments. For each of these artists, personal and universal narratives speak to the multiple identities a person can hold.鈥

Bewitch by Nicole Havekost and Even Now by Keren Kroul are on view now. Dress Codes, an exhibition by Erica Spitzer Rasmussen, and the annual student-led Senior Juried Exhibition and Creative Showcase, open on April 13. For more information, please visit .

See a list of selected spring events and exhibitions below. 

The O鈥橲haughnessy

Letters Aloud

February 24

Featuring Letters Aloud celebrates the inevitable setbacks everyone experiences. Hear rejection letters received by some of history鈥檚 most successful figures, from Andy Warhol to Sidney Poitier.

Don鈥檛 miss the chance to see the beloved MPR News host as she joins the Letters Aloud cast on stage, adding her unique touch to dozens of the most unforgettable rejection letters ever penned.

The Aunties: A Contemporary Storytelling Series

April 20

The Aunties is an invitation to come together to honor the women who shape, heal, and uphold Indigenous communities 鈥 the aunties 鈥 through an evening of contemporary storytelling, shared stories live from the stage alongside familial and archival photographs, and works of legacy. This world premier, commissioned by The O鈥橲haughnessy, will feature stories by aunties from our local region, including . We welcome you to join us in this celebration of culture and community. 

 

Watercolor painting by Keren Kroul and felt works by Nicole Havekost

Catherine G. Murphy Gallery

by Keren Kroul

Location: East Gallery 

Exhibition Dates: February 3鈥揗arch 17

Keren Kroul鈥檚 Even Now explores, through large-scale watercolor painting and video installation, themes of memory, identity, and familial and historical legacy.  

鈥淲hile some images are opaque, reflecting their solid presence in the mind, others are a watery wash, the dissolving of concrete places, lives, and eventually, memories,鈥 Kroul said in her artist鈥檚 statement. 鈥淭owering over the viewer, monumental in size while fragile in materiality, this work is a physical representation of the overwhelming helplessness I feel when confronted by the horror of this personal and historical legacy.鈥 

 

by Nicole Havekost

Location: West Gallery 

Exhibition Dates: February 3鈥揗arch 17

In her exhibition, Bewitch, Nicole Havekost uses large, hand-stitched felt works to explore the often-unsettling experience of a changing body, charting its beguiling fluctuations through processes of motherhood and aging. 

鈥淢y work is the outlet for my compulsion to explore this exquisite, repulsive organism that exists beyond my desires and authority,鈥 Havekost said. 鈥淢y work of the last several years has centered on themes of feminine being through the body, hybridity and contrast, scale, and disruption. Through all these works, hand-stitching, irregular seams, and nasty knots are part of my process. These are the visible representations of the making and mending, repairing, and refinishing we are engaged in as human beings daily.鈥