Marcie Rendon in conversation with Dawn Quigley around Girl Gone Missing

By Michelle Mullowney 鈥17, from

On November 17, 亚色影库 was honored to welcome author, artist, and activist Marcie Rendon in conversation with St. Kate鈥檚 associate professor of education Dawn Quigley, PhD. Sponsored by the Office for Intercultural Engagement, , and the Core Curriculum, the evening constituted St. Kate鈥檚 fall 2021 Core Convocation and an event in the .

The following is an excerpt from the conversation between Marcie Rendon, Dawn Quigley, and Anh-Hoa Nguyen, MFA, administrative assistant for the Division of Arts and Humanities. The three authors discussed Rendon鈥檚 novel Girl Gone Missing in the context of Native women鈥檚 knowledge, representation, and resilience.

Marcie Rendon

Marcie Rendon. Photo by Jaida Grey Eagle.

Dawn Quigley: I think you wrote a heroine for us, for us Native women and for all women, to stand up, get in there, play pool... One of your quotes that I love is, 鈥淣ative people need to be heard more.鈥

Marcie Rendon: Unfortunately, so many people raised in a U.S. educational system don鈥檛 know that we still exist; in their mindset we鈥檙e still like Dances With Wolves and John Wayne killed us all off. We have a voice, we have a story, we exist, we鈥檙e here. There鈥檚 this woman, Frances Densmore, who was an ethnomusicologist at the beginning of the 1900s. In one of the books that she wrote for the Smithsonian, she said that Ojibwe people were schizophrenic, because we see and hear things that other people don鈥檛. When I read that as a young person, I was so angry that this woman could just make this blanket indictment against my people 鈥 and people value her; she鈥檚 in the Smithsonian, so why wouldn鈥檛 they believe her? Our way of life was seen as crazy or not real, and it鈥檚 very real.

Anh-Hoa Nguyen: And I think that goes back to why we need so many more books by BIPOC authors, because there are so many different ways to understand the world. And when you don鈥檛 see your experience represented, you do think you鈥檙e crazy, or other people want to make you think that. Dawn has been helping me learn about Indigenous research methods 鈥 this idea that just because it鈥檚 not in a book or a library, or by someone in the Smithsonian, doesn鈥檛 mean that that information isn鈥檛 true or valid. You鈥檙e utilizing your lived experience.

DQ: 鈥淪tories handed down, you can鈥檛 use those in a paper鈥 鈥 yes, you actually can! It鈥檚 called Indigenous research methodologies: songs, poems, art, looking at the world and expressing them in a different way other than a peer-reviewed article. There鈥檚 not one way to write a book, there鈥檚 not one way to research.

 

AN: Could you talk a little bit about what it means for you to be in community with other women and the importance of that in your life?

MR: When I came down here to the Cities, I was a single mom, and I knew that it was really important to build a community of women around me. I have friends from the time I got here to the Cities who are still my friends now. We鈥檝e been through kid-raising together, I got a master鈥檚 degree, but always having a circle of women for me that I can be connected to and they can be connected to me. I don鈥檛 think you should ever forget the importance of women in your life.

DQ: I would agree. All my writer critique friends are Native women, and so there鈥檚 this community I feel safe with, because I鈥檝e got their back also. Native women, like you鈥檝e said, have always led and have always helped communities stay together. Another quote from you, Marcie, is, 鈥淲e need to talk more about resiliency of Native people instead of trauma.鈥

MR: Are you familiar with the Indian on the horse, who鈥檚 all bent over and dejected? 鈥淭he End of the Trail.鈥 That鈥檚 this iconic, stereotypical Native image 鈥 and we are so much more than that. Those of us who are alive are the descendants of the 5% who did not get killed off. There was a genocidal policy on this continent to kill us off, and we didn鈥檛 get killed off. The resilience that we all have is unbelievable when you think about the oppression that we faced, and so [we need to] write those stories of resiliency 鈥 of hope.

Dawn Quigley

Dawn Quigley. Photo provided.

Girl gone missing cover

Girl Gone Missing by Marcie Rendon

In this second installment of Rendon鈥檚 mystery series, set in the 1970s, Anishinabe college student Cash Blackbear starts having dreams of white women in the Midwest being trafficked to larger cities. Girl Gone Missing was selected as the fall 2021 One Read for Racial Justice book, which is part of the 2021鈥23 Integrated Learning Series focusing on Indigenous Thought Leadership. More about the book, author, and other recommended readings by Native writers: